Showing posts with label Pop Culture. Show all posts
Showing posts with label Pop Culture. Show all posts

Sunday, November 3, 2013

8 Corporations That Made a Fortune Leveraging Black Culture (ATL Blackstar)

Atlanta Blackstar does it again with an interesting article on American corporations that profitted by connecting them selves with aspects of Black Culture / American Black Culture / Hip-Hop culture... Whatever you want to call it. The expose discusses brands like Starter, Addidas, Timberland, and five others. The direct link for the full article :http://atlantablackstar.com/2013/10/31/8-corporations-that-made-a-fortune-leveraging-black-culture/
Here is an excerpt:
Timberland
At the end of the 198os, Timberland sales topped $156 million, 30 percent of which was solely of its classic yellow boot, popular among urban youth in the northeastern United States.
During the 1990s, sales of the brand took off at the same time U.S. hip-hop artists like Wu-Tang Clan, Mobb Deep, Jay Z, DMX  and many more wore the boots and rapped about them regularly.
After the rappers had fully influenced a generation of fans to wear the work boots, Timberland’s footwear accounted for more than 70 percent of its sales. By the end of 1992, the company’s sales topped $291 million and at the end of the decade, sales reached $917.2 million.

The direct link for the full article:
http://atlantablackstar.com/2013/10/31/8-corporations-that-made-a-fortune-leveraging-black-culture/
Interesting comments:

  • Deborah Martin · Top Commenter
    Why does this article not mention the fact that Addidas founder and his brother who founded PUMA were once Nazis? Why does this article not mention the fact that Timbaland once told Blacks they didn't appreciate their product being associated with urban youths? Why does this article go past the fact the Cristal didn't like their product being associated with rap artists and the lifestyle?
    • Floyd Webb · CEO at Straight Out of A Comic, LLC
      Damn, must we always focus on the obvious and miss the message.The MESSAGE is that is concrete capital value to Black Culture and life. Let's run and tell THAT. NOW, how do we, the producers of this AWESOME culture, seize control and monitize it on our own in our best interest?
    • Glester Thorpe
      Not sure if that was the purpose of this article.
    • Ed Dunn · Top Commenter · Atlanta, Georgia
      Please do not confuse rap artists and the rap lifestyle with Blackness...I don't want to be associated with that crap either...

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Tuesday, July 30, 2013

Afro-Boricua History in Superbowl XLVI

Boricua History Made In XLVI Super BowlPDFPrintE-mail
Christina Aguilera
The Super Bowl party that I attended in the Bronx was one of millions that took place across the country. The parties, the parade and all the Hoopla is over, but the history of this game will be forever recorded in the history books, especially the Latino Sports history book.

Very few fans, including Latino fans knew that history would be made giving us many more reasons to celebrate after the NFC Champions, NY Giants defeated the AFC Champs, New England Patriots 21- 17. The game was a nail biter up to the last few seconds when Tom Brady threw a 65-yard "Hail Mary" that did not create the miracle intended, but gave the New York Fans reason to party.
If you're a Latino Giants, or Patriots fan, you should be proud that our community made NFL history by having two Latino stars play against each other in this XLVI Super Bowl. 

However,Aaron Hernández of the Patriots and Victor Cruz of the NY Giants did something else that will make the Latino NFL history books.
Here are a few other historic pieces of information that will be recorded in our Latino Sports History Books? They are the following.

1. The first touchdown of the game was scored in the first quarter by Giants wide receiver, Victor Cruz to give the giants the lead 9 -3.

2. For the first time, Salsa was danced at a Super Bowl game when Cruz showed his Salsero steps after scoring his touchdown.

3. Aaron Hernández of the Patriots became the second Puerto Rican to score a touchdown in a Super Bowl game. His came in the second quarter to give the Patriots the lead, 17 - 9.

4. Both Victor Cruz and Aaron Hernández became the first two Puerto Rican's to not only play against each other in a Super Bowl game, but to also score touchdowns as well.

5. This was the first time that a Puerto Rican Flag was displayed by an NFL player in a Super Bowl event. Victor Cruz proudly waved the island nations flag in a media-day press conference.

So Latinos and in particular, Puerto Ricans should be proud that the NFL has now been officiallybautizada con estrellas de sangre Caribeña.

http://www.latinmixx.com/latinmixx2011/index.php?option=com_content&view=article&id=167:boricua-history-made-in-xlvi-super-bowl&catid=5:music&Itemid=6
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Sunday, July 8, 2012

In Memoriam: Yomo Toro

In Memoriam: Yomo Toro Posted by Afropop Worldwide, July 5, 2012. We are sad to report the death of Yomo Toro, a virtuoso of the Puerto Rican cautro that resembles a mandolin. He was a major player in the Latin music scene in New York for a half century. Toro died on Saturday on June 30th in the Bronx at the age of 78. He had performed and recorded with leading stars of New York salsa in the 1960’s and 1970’s including Willie Colón, Hector Lavoe, Larry Harlow and the supergroup Fania All-Stars. One of the standouts in Colón’s long recording career was a Christmas themed salsa record “Asalto Navideño” that featured parranda from the Puerto Rican caroling tradition. Afropop actually had the pleasure of visiting Mr. Colón’s home in the Bronx in the mid 1990’s where he played parrandas and related memories of Christmas time of his youth growing up in Puerto Rico. Here are a couple of tracks to remind longtime fans (and new listeners) of Toro’s inimitable brilliance. He will be sorely missed. and here is that Afropop show with Yomo. Keywords Cuatro, Fania, Puerto Rico, Salsa, Sean Barlow, Yomo Toro
http://www.afropop.org/wp/3701/in-memoriam-yomo-toro/

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Sunday, March 25, 2012

Trayvon Martin and American Racism - Kevin Powell

Trayvon Martin & the fatal history of American racism

by Kevin Powell
***
I am Trayvon Martin.


So are you. And so is any human being who has ever felt cornered, in a dark and desolate alley, between life and death. Add the grim reality of skin color in America, and you have the disastrous spectacle of 250lb George Zimmerman, 28, pursuing 140lb Trayvon, 17, until that man-child is screaming "Help!" - and then gasping for air after a bullet from Zimmerman's 9mm handgun had punctured his chest. A majority-white, gated community became, on 26 February, the makeshift mortuary for a black boy who will not get a chance to live, to go to college with his exceptional high school grades, to make something of his life. Trayvon's fatal act: a mundane walk to the nearby convenience store to buy a can of iced tea and a bag of Skittles.


This is what racism, the American version of it, means to black boys like Trayvon, to black men like me. That we often don't stand a chance when it has been determined, oftentimes by a single individual acting as judge and jury, that we are criminals to be pursued, confronted, tackled, and, yes, subdued. To be shocked and awed into submission.
The police authorities in Sanford, Florida, where the shooting occurred, are apparently so mired in racial prejudice and denial that George Zimmerman, at this writing, still has not been arrested nearly a month after Trayvon was killed - in spite of Zimmerman being told, on 911 police dispatch audio, not to follow Trayvon Martin.
In spite of Zimmerman being charged in 2005 with resisting arrest with violence and battery on a police officer. In spite of Zimmerman calling the police 46 times since January 2011. In spite of Zimmerman, according to neighbors, being fixated on bracketing young black males with criminality. In spite of Zimmerman being the subject of complaints from neighbors in his gated community due to his aggressive tactics. In spite of the officer in charge of the crime scene also receiving criticism in 2010 when he initially failed to arrest a lieutenant's son who was videotaped attacking a homeless black man. In spite of Zimmerman violating major principles of the Neighborhood Watch manual (the manual states: "It should be emphasized to members that they do not possess police powers. And they shall not carry weapons or pursue vehicles.")
In spite of Zimmerman not being a member of a registered group, which police were not aware of at the time of the incident. And in spite of the Sanford, Florida police failing to test Zimmerman for drugs or alcohol. (A law enforcement expert told ABC that Zimmerman sounds intoxicated on the 911 tapes, and that drug and alcohol testing is "standard procedure in most homicide investigations".)
Finally, what was a man like George Zimmerman doing with a gun in the first place? And will Florida's very controversial "stand your ground" self-defense law prevent Zimmerman from ever being prosecuted, especially as he and his lawyers are claiming he was protecting himself from harm?
Finally, does any of the above truly matter, if the shooter has white skin and the victim's is brown?

We've heard, since President Obama came into office, that we suddenly, miraculously, live in a "post-racial" America, that there now is such a thing as "post-blackness". Try telling that to the families of Trayvon Martin. Or Ramarley Graham. Or Sean Bell. Or Oscar Grant. Or Amadou Diallo. Or Emmett Till. Or the Scottsboro Boys. And numberless others in modern US history.


Racism remains the greatest cancer of American society, and has been since the founding of this nation - by men who owned slaves. You cannot slaughter and push from the land Native Americans, enslave black people, harass and marginalize Asians, Latinos and Jews, and scapegoat immigrant white ethnics and Arabs through your long and tumultuous history, then wonder how the killing of Trayvon Martin could happen in the first place? The former is the context for the latter.

We, most of us, have been socialized to fear and demonize difference, the other. Trayvon's murder is of a piece with hysterical and overzealous anti-immigration policies and new voter ID laws that recall the days of segregation and harsh American racial apartheid. Left unchecked, as George Zimmerman has been left unchecked, and you perpetuate this ugly national tragedy.
American racism is not merely a distortion of human psychology that teaches the George Zimmermans of our nation to see Trayvon Martin as nothing more than a criminal; it is also the debilitating disease that allows us, on the one hand, to denounce the alleged atrocities of Kony in faraway Africa we've seen in that ubiquitous viral video, and on the other, to overlook the Trayvon Martins, just as we ignore the routine stop-and-frisk harassment of legions of black and Latino young males.

We are trapped in the stereotyping that saw my friend's son being told by his teacher in Fairfax County, Virginia recently, as he reciited a Langston Hughes poem, that he needed to read it "blacker". The stereotyping that allows us to cheer loudly for the majority-black college basketball teams during March Madness, yet won't permit us to pay attention to Trayvon Martin's parents, clearly shattered, pleading for some shred of justice.
The Justice Department's intervention is welcome, if belated. But it is American racism that constrains our leaders, like President Barack Obama and Attorney General Eric Holder, from speak forcibly and publicly about this destructive cancer for fear of alienating "regular" folks. If the president could call on Sandra Fluke considering the insult she'd received from Rush Limbaugh, we should be able to expect him to offer his condolences to Martin's parents for the grievous injury they have received.
For the sake of Trayvon Martin, and the Trayvon Martins who never had this sort of mass outcry, something must be done. But if we choose to turn our ears and hearts away from his parents and his community, then Trayvon Martin's blood will be on the hands of this entire nation. Will we ignore that call for help, as Trayvon's went unheeded?
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Sunday, February 26, 2012

Viola Davis Shows her Royalty for Oscar's Red Carpet

Viola Davis Skips Wig for Oscar's Red Carpet

Viola Davis stepped on to the Oscar's red carpet in a beautiful, strapless emerald green Vera Wang gown and said she purposefully skipped the wig she wears on red carpets and for film roles. It is the first time the actress has rocked her natural short locks on a worldwide stage, and she says her husband, Julius Tennon, saw it as a potential opportunity for empowerment.  "My husband wanted me to take the wig off," she told InStyle at a pre-Oscar dinner in Los Angeles. "He said, 'If you want to wear it for your career, that's fine, but in your life wear your hair. Step into who you are!'"
And while Viola has said she's not giving up the wigs for good, wearing her own hair was an excellent choice for a big event like the Oscars. Perhaps she is preparing for a win and a chance to make a statement about her au naturel appearance? Win or lose, the natural look ended up being an excellent choice, proving her family knew best.

Megan Riley Lopez is a pop-culture writer who has covered events ranging from the Grammys to the Golden Globes. She has previously contributed to In Style magazine, and now writes for the Yahoo! Movies, omg! and Music. Her online writing has been featured internationally.
http://movies.yahoo.com/blogs/oscars/viola-davis-skips-wig-oscars-red-carpet-235950899.html
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Thursday, February 2, 2012

Turning Black History into Black Reality

Turning Black History
into Black Reality

Rodney D. Coates*
coatesrd@muohio.edu

Over the past few days the net has been flooded with the rediscovery of a letter written by a former slave, Jourdan Anderson, to his former master. It seems that the now emancipated Anderson was being asked to return to work as a slave. Jourdan’s response, filled with both angst and frustrations, was nevertheless filled with grace and power. As I read that letter, I was both humbled and empowered. Here was a man who had not only endured but survived and overcame one of the most brutal of American institutions –slavery. But, rather than being broken Mr. Anderson was emboldened, rather than being scared he was strategic, and rather than becoming bitter he became better. Jourdan Anderson was a man who deeply reflected upon the pain of slavery, but did not become consumed with it. He did not spend his time either worrying about his former master or it seems with revenge. As a consequence, while Jordan might have been victimized by slavery, he was not a victim of it. No, he adapted, grew, and finally escaped the cruelest of human situations and he did it and remained sane, whole, and determined. As I think of Black History Month, it is the Jourdan Anderson’s that bring me both joy but also inspiration. And it is this type of celebration that allows us to turn Black History into Black Reality.
http://blackimprovement.blogspot.com/2012/01/letter-to-my-old-master-jourdan.html

For all too long, many have taken this celebration as a static, almost dismal period where the staid past is regurgitated, remonstrated, and remembered. But such celebrations rarely lead to any progressive challenges, positive affirmations, or potent rediscoveries. The problem is not the celebration, but the substance of our attention. History, if it is to be of any use, must be more than informative but transformative. It must be more then reflexive but critically reflective. For it is only through a critically reflective dialogue with the past, can we design effective solutions for the present. The past, offering a blueprint of survival and achievement, provides pathways for success and excellence in the world we now live in today. Therefore, it is with joy and anticipation that I read the letter of Jourdan Anderson, as well as Harriet Jacobs “Incidents in the life of an Slave Girl”. Again Jacobs, as was the case with Anderson, does not spend time bemoaning her plight as a slave but articulating her struggle to free her daughters yet enslaved. Harriet Jacobs life was spent preaching the gospel of freedom, love of family and success. In later life, she became one of America’s first champions for a livable wage but unfortunately the value of black labor then, was undervalued, and underappreciated. Her response was not, however to accept this situation but to decry it by declaring ““Don’t believe the stories so often repeated that the negroes are not willing to work. They are generally more than willing to work, if they can get anything for it,”
From entrepreneurs –such as Madame C.J. Walker – to inventors –such as Benjamin Banneker, from actors to activist, from rock stars to astronauts –black genius, ingenuity, and determination has forged a path that has not only made history but has made America what it is today. So rather than dwell on these accomplishments as static, historical oddities –I shall explore them as clues into the mystery of life, as answers to unanswered questions, and as indicators of the possibilities of a new black reality.

*Note: Rodney D. Coates is professor of sociology and gerontology at Miami Unviersity. He can be reached at coatesrd@muohio.edu

Rodney D. Coates* born in East St. Louis, Ill., received his B.A. from Southern Illinois University, a M.A. in sociology and anthropology from the University of Illinois, a second M.A. and Ph.D. in sociology from the University of Chicago. He holds the rank of professor in the Department of Sociology and Gerontology, for 15 years Directed the Black World Studies Program at Miami University. Dr. Coates specializes in the study of race and ethnic relations, inequality, critical race theory, and social justice. Coates serves on the editorial boards of the American Sociological Review; Social Forces; and Race, Class and Gender. He is also on the executive boards of the Southern Sociological Society and Sociologists without Borders. Dr. Coates is the immediate past chair of the Section of Race and Ethnic Minorities of the American Sociological Association, and has served in similar capacities for the Southern Sociological Society. He has published dozens of articles; several edited books, and frequently writes on issues of race and ethnicity, education and public policy, civil rights and social justice. His 2004 edited book Race and Ethnicity: Across time, space and discipline won the Choice award from the American Library Association. This past summer Coates received the Joseph Himes Career Award in Scholarship and Activism from the Association of Black Sociologists. He is currently finalizing an edited volume on /Covert Racism/ for Oxford University Press.


http://redroom.com/member/rodney-d-coates
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Monday, December 26, 2011

The Color of Cola - Black History & Pepsi Cola

The Color of Cola

Published: February 4, 2007
History-making heroism, Stephanie Capparell means to demonstrate in this admiring account of the Pepsi-Cola Company’s pioneering — but largely unsung — “special-markets sales staff,” ought not to be measured solely by the fame it attracts. She’s right. Inconceivable without the giants of the ballpark and the ring, demonstrations and courtrooms, the movement for African-American civil rights depended even more on the mostly unknowable actions of millions, black and white, who created new ways of thinking and working and acting within and across racial lines.
Boyd Collection/From “The Real Pepsi Challenge”
The model for the young boy in this store display from the 1940s was Ron Brown, who became President Bill Clinton’s commerce secretary.

THE REAL PEPSI CHALLENGE

The Inspirational Story of Breaking the Color Barrier in American Business.
By Stephanie Capparell.
Illustrated. 349 pp. Wall Street Journal Books/Free Press. $25. 

“The Real Pepsi Challenge” begins with a creative, dynamic white New York businessman, a politically connected, progressive Republican turnaround specialist named Walter S. Mack Jr., who took over Pepsi in 1938. Mack, in his own words “an unrepentant capitalist and a liberal” who enjoyed playing, as Capparell puts it, “scrappy David to the Goliath that was Coca-Cola” (Pepsi’s 1939 sales were under $5 million, compared with Coca-Cola’s $128 million), decided to strengthen Pepsi’s hold on the “Negro market.” Pepsi’s 12-ounce bottle, twice the size of a Coke, sold for the same nickel, which made it more popular among poorer people; according to Capparell, Pepsi had “survived the Depression by appealing to Negro consumers.”
Mack more or less invented the business internship in 1940, with a nationwide essay contest for college graduates. Two of the 13 winners were black; they traveled through 21 states and “thousands of miles by car, train and bus, selling Pepsi” and, by implication, Pepsi’s commitment to African-Americans. World War II interrupted the program, though not Walter Mack’s racial activism: Pepsi opened three integrated military canteens that served 29 million servicemen during and after the war, while “the government’s canteens — like the Army itself — were segregated.”
Capparell deftly portrays the optimism of the immediate postwar years, especially regarding what she calls the “dizzying number of firsts for African-Americans” — in business, education, politics, entertainment and, of course, baseball — in the banner year of 1947. That year Mack hired the 33-year-old Edward F. Boyd, a National Urban League staff member working on housing issues, with a promise that Boyd could hire a dozen African-American salesmen. A slump in the soft-drink market kept Boyd to just four hires at first; his staff grew to eight in 1950, and finally reached 12 a year later. The book mostly recounts the story of Boyd’s special-markets team — the employees’ backgrounds, how they sold the cola, the coverage they received in the black press — and Pepsi’s shifting fortunes in an often volatile market.
The “real Pepsi challenge” of the title lay in the efforts of Pepsi’s black salesmen in the 1940s and ’50s to establish both the importance and profitability of the “Negro market” and the reliability and competence of the men who could sell to it. These men faced the gritty, humiliating realities of Jim Crow as they traveled through the South hustling their cola at black churches, social clubs, schools and athletic events. Some of the first African-Americans working in national corporations — who didn’t carry a broom, that is — they became role models and minor celebrities.
With Mack’s backing, Boyd ran remarkable advertising campaigns in 1948, 1949 and 1951 in the black press. Called “Leaders in Their Fields,” the ads featured profiles of African-American professionals like the diplomat Ralph Bunche, the composer Walter Franklin Anderson, the journalist P. Bernard Young Jr. and the hat designer Mildred Blount. Capparell shows how the series, copies of which black schools and universities requested as educational materials, simultaneously pumped significant income into black publications, showcased black business and professional success, and helped cement black loyalty to Pepsi.
Without calling explicit attention to the alliance among black leaders, the black media and black businesses — an alliance that sprang into action when the president of the Atlanta-based Coca-Cola Company toasted Georgia’s segregationist governor in 1950, and helped inspire a Pepsi-supported boycott of Coke — Capparell establishes the importance of their mutual support in the overall struggle against racial discrimination. Just as black sportswriters played a key role as advocates for baseball’s integration, the black press, by promoting black consumers and businesses, served to strengthen itself and increase collective black political power. In 1951, Coke placed its first ads in black papers.
Capparell, an editor at The Wall Street Journal and a co-author of “Shackleton’s Way: Leadership Lessons From the Great Antarctic Explorer,” interviewed six surviving members of the team. Through them she opens a window onto the frequently impressive, culturally conservative (and therefore often deprecated), “striving” lives of the respectable black middle class in the years before integration — men and women without whom the achievements of the civil rights years would have been impossible.
Take the story of the team member Jean Emmons: from DuSable High School on the South Side of Chicago to a steel mill in Gary, Ind.; from a junior college to an M.B.A. at the University of Chicago in 1948. Emmons received no serious business interviews until Pepsi hired him. He later earned a doctorate in education and retired in 1981 after six years as superintendent of public schools in Trenton, N.J.
More journalism than history, more inspiration than analysis, “The Real Pepsi Challenge” nevertheless deepens our appreciation not, as the author would have it, for the platitude “that diversity is good for business and that business should be good for diversity,” but for the persistence and courage of those willing to break barriers and risk the consequences.
Warren Goldstein, who teaches American history at the University of Hartford, is the author, most recently, of “William Sloane Coffin Jr.: A Holy Impatience.” http://www.nytimes.com/2007/02/04/books/review/Goldstein.t.html
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Monday, October 18, 2010

Nick News: "Do We Need Black History Month?"

Nick News:
"Do We Need Black History Month?"
"Nick News" examines the history and controversy behind Black History Month.

http://www.nick.com/videos/clip/do-we-need-black-history-month-full-episode.html

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Friday, October 15, 2010

The Million Man March Pledge of 1995

15 Years ago
The Million Men Marchers took this pledge:

I PLEDGE that from this day forward I will strive to love my brother as I love myself. I, from this day forward, will strive to improve myself spiritually, morally, mentally, socially, politically and economically for the benefit of myself, my family and my people. I pledge that I will strive to build businesses, build houses, build hospitals, build factories and enter into international trade for the good of myself, my family and my people.

I PLEDGE that from this day forward I will never raise my hand with a knife or a gun to beat, cut, or shoot any member of my family or any human being except in self-defense. I pledge from this day forward I will never abuse my wife by striking her, disrespecting her, for she is the mother of my children and the producer of my future. I pledge that from this day forward I will never engage in the abuse of children, little boys or little girls for sexual gratification. For I will let them grow in peace to be strong men and women for the future of our people.

I WILL never again use the ‘B word’ to describe any female. But particularly my own Black sister. I pledge from this day forward that I will not poison my body with drugs or that which is destructive to my health and my well-being. I pledge from this day forward I will support Black newspapers, Black radio, Black television. I will support Black artists who clean up their acts to show respect for themselves and respect for their people and respect for the ears of the human family. I will do all of this so help me God.




The direct link:
http://www.youtube.com/watch?v=ol3BIfAKqPI&feature=player_embedded



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Friday, October 8, 2010

Deficiency and Difference - M'Bwebe Aja Ishangi

The direct link: http://daghettotymz.com/current/deficiency-difference/deficiency-difference.html?sms_ss=facebook

This is in reflection of Rev. Jeremiah Wright's April 27, 2008 speech at the NAACPs Freedom Fund Dinner] by Deficiency and Difference - M'Bwebe Aja Ishangi.

"Because they (Afrikan people) learn from a subject, not from an object... They have a different way of learning. Those same children who have difficulty reading from an object and who are labeled EMH, DMH and ADD. Those children can say every word from every song on every hip hop radio station... Why? Because they come from a right-brained creative oral culture like the griot's in Afrika who can go for two or three dayz as oral repositories of a people's history... That is a different way of learning. It's not deficient, it is just different."
xxxxxxxxxx— Rev. Jeremiah Wright

Over the last several weeks, white America heard two eloquent perspectives of america from an Afrikan-in-america point of view. The first bein' presidential candidate Barak Obama's March 18, 2008 speech on Race and in response to his affiliation with Rev. Jeremiah Wright, with the second comin' from Rev. Wright himself on Sunday, April 27th as he addressed the nation via the NAACPs Freedom Fund dinner in Detroit.

The theme of Rev. Wright's speech was that Afrikan people are not deficient, we're different. His response was fueled by 'massa'-media's unrelenting attack on him for citing what they (the media) still refuses to credit as wordz from a white politician who made comments condemning America for its role in civil and foreign unrest. And although I'm no christian, muslim nor believer in man-made religion, as I tuned into CNN, I listened with an open mind.

Rev. Wright revealed some serious jewelz that Sunday evening. The difference in learning modalities was a topic that had never been discussed on prime-time tv. Not only did he mention educated research by hedz like Dr. Janice Hale on the distinct scientific differences of the way Afrikan people learn opposed to whites, he touched on it scientifically,

"What Dr. Janice Hale did in the field of education and what Dr. Geneva Smitherman did in the field of linguistics, Dr. Eldon (Katter) did in... the field of music... African music is different from European piano music. It is not deficient, it is different... We were taught a European paradigm as if Europe had the only music that there was in the world. As a matter of fact, if you just say the term, classical music today, most here, use of that term will automatically refer to Beethoven, Tchaikovsky, and already cited Mozart and Handel... From grammar school to graduate school, we are taught in four, four time. That the dominant beat is on one and three. Our band directorz, our choir directorz, our orchestra director start us off how? 'And ONE, two, THREE, four. ONE, two, THREE.' Now, that's the European dominant beat. For Afrikan and Afrikan-Americanz, it is not one and three, it is two and four... Listen to black people clap to this song. Glory, glory hallelujah, you are clapping on beats two and four. If you got some white friends, they'll be clapping like this (on one and three). You say they can't clap. Yes, they can. They clap in a different way... Afrikanz have a different meter and Afrikanz have a different tonality. European music is diatonic, seven tones. Do, re, mi, fa, so, la, ti, do... In west Afrika and south Afrika,... it is pentatonic with five tones. Wintley [Phipps] points out that if you want to know black music, just look at the black keys on the piano. Do, re, fa, so, la. Just those five tunes. Those are the only five notes you'll hear..."

An additional jewel was when he said,

"...Here in Michigan, look at and listen to the University of Michigan and Michigan State University bandz at half-time. Their bandz hit the field with excellent European precision... Now go to a Florida A&M and the Grambling State Band. It's different. And you can't put that in no book."

Yo, you had to see him demonstrate this, it's so true... so true!!

A difference does not mean you are deficient. Rev. Wright blessed us with madd jewelz and for it to be televised made me envision that change is upon us. My only problem is that in the year 2008 — nearly 150 yearz since the Emancipation Procrastination (Proclamation) — we're still takin' the "I wanna be down" approach in the fight for liberation, havin' to explain again and again, generation-after-generation, askin' for YT to accept and treat us equally.

Why haven't we realized by now, the likelihood of this happenin' isn't worth continuing to exert energy towardz?! What has delayed us from goin' back to doin' what our immediate Ancestorz did before the Civil Rights era? Why hasn't there been a Black Wall Street since the one that was burned to the ground by jealous whitefolk back in 1921 (the Tulsa Race Riot)? Afrikanz around the globe have been in this state since we substituted self-reliance and self-determination with the burning desire to be accepted by euroepanz, even if it meant bein' less of ourselves naturally (How oxymoronic is it for Afrikanz to be afraid of tanning in the summer sun or wearing blue-colored eye contacts and dyeing your hair blond?!!?).

Since this paradigm began, we've witnessed the continued exchange of what I like to call, "the Great Cultural Sell-off", where we find Afrikanz literally givin' ourselves to the world with the only want in return being equal acceptance — how about ownership/patenting?! This mindset of 'Afrikan-invention-morphed-into-european-control/profit' today feedz off the creation of urban music (from Bebop to Hiphop), culture (now blue jean companies make saggin', low-pocket jeanz like urban youth wear) and language (Newt Gingrich actually said the word, "diss" when talkin' about Rev. Wright disrespectin' Obama on the show, The View!).

If you really look at it from a global/historical perspective, who has alwayz gone against the majority? CAUCASIANZ!! And for those white folks readin' this (and even black folk who still suffer from the 'please-don't-beat-me-massa' syndrome), don't try and flip this into some reverse-racist argument; and no, I'm not speakin' individually, I'm talkin' collectively as in the historical white race in general.

I'll accept that there are some less than savage white folk, and in return, won't dispute there are some wicked blacks (like the Boule'). Herein lies the difference, for every white person who believes they shouldn't be associated to somethin' their immediate ancestorz did, take a look at how you still benefit from their misdeedz. In addition, don't sit here and act like racizm and enslavement no longer exists! Institutionalized slavery is more powerful than ever and it's global! As a member of the white race, you benefit from it simply because you're white. What's more, there aren't enough (if any) white organizationz who denounce their forefatherz. And lets not even mention if they'd raise fundz as a sort of payback (like the 40 Acres and 2 mules we still haven't got!).

In a world full of all kindz of people, white folk still project themselves as the majority — not in number, but intellectually and financially — which is divisive tactic that creates a superior/inferior complex. Now create a system [composing the fieldz of education, entertaiment, economics, labor, law, politics, sex, religion, war and health—called the 9 Areas of People Activity, plus 1 (health) theorized by Drs. Neely Fulller and Francess Cress-Welsing] that magnifies this, and you end up producing people of color with less esteem due to lack of opportunity, and whites with confidence because of privilege. Call it a coincidence if you want, I call it a generational systematic and effective plan!

A plan like this in todayz world is more subliminal than right in your face. A perfect example can be seen simply by turnin' on your television or by flipping through the pages of publicationz (magazines, books, etc.). For every one person who's not white, there's at least 8-10 who are. Go 'hed, flip the channelz/pages and count how many white folks you see versus Afrikan people (or other people of color).

What's more sublime are the roles we see people in. Look at anything that has to do with beauty and entertainment, like the Miss America pageant. Of the 50 contestant's involved, you can count on one finger (yeah, that's right, I said finger and not hand!) how many are Afrikan versus white. Or take a look at how many politicianz or memberz of congress are white versus non-white. Still think it's a coincidence? I could go on, for dayz naming scenario's.

Yes, we are in the majority of some thingz, like sport jocks, but certainly not in the ownership department! But we're not fairly represented as cheerleaderz! Take a look at all the professional sport cheerleading squadz. This is deep because its systematic, or duplicated around the league's trickling down to the college ranks! It isn't by coincidence that the majority of cheerleaderz are white. The decision makerz (who I bet are mainly white) are defining what they want to be perceived as beauty and they actually feel they are doin' justice by sprinkling a token American-Afrikan/West Indian, Spanish or Asian chick to lessen the blatant racist preference; and we, the public are too blinded (and appreciative of inclusion, no matter what level) by their snail-paced (say delayed) effort for ethnic equality.

We're even doin' it to ourselves! Tyra Banks show, America's Next Top Model is the perfect example of self hate. Notice how many Afrikan women start out on the show versus how many actually win! In addition, she constantly berates our sisterz for not walking or posing 'european', not to mention the consistent gay male presence like that maama-mon (gay) 'Miss J'!

When we are on center stage, we are often depicted in a manner they convinced us to accept as "art". Did you see Vogue magazine's April 2008 cover of LeBron James and Gisele Bundchen? If you looked at conceptual artwork of the original 1933 King Kong movie, you'd see a close resemblance... or is this just a coincidence?

YT not only sees anything not white as deficient, it's seen as divisive 'cause it goes against the control of what they want it to be, and they've proven throughout time that they're willin' to do whatever it takes to have thingz in their favor — even if it meanz some of their own will be oppressed! If Fox news will keep this link up, peep what a white priest (father pfleger) defending Rev. Wright and Farrakhan as well as his thoughts on the double-standard white america has comparing how whites who criticize america are seen opposed to Afrikanz-in-america: http://www.foxnews.com/video2/video08.html?videoId=1fd1c0cf-5c80-4d75-996f-bd53b2461ae0&sMPlaylistID .

Remember the ol' sayin', "When in Rome, walk like the Romanz"? Who was the first to say it? I'm willin' to bet they were of european descent! Ask yourself, has the sayin', "When in Afrika, walk like the Afrikanz" ever been honored? Oh, when YT came to Afrika, they did walk like the Afrikanz. In fact, they wound up impersonating our Ancestorz, plagiarizing everything Afrikan and calling it theirz (study the persianz, romanz and greeks to name a few, or read 'Stolen Legacy' by George GM. James).

See, to them, it is a matter of survival. Never in the recorded history of europeanz have they lived in harmony with any race, not even their own! They can't function unless they are in control. And its this egotistical mindset that has prohibited the human race from living together, peacefully.

It may shock you to know that white folks are not the majority. This isn't me just sayin' it, it's true! When you take into account the people's of the world. In fact, research states they are a dying breed. Ask yourselves, who created artificial insemination and In-Vitro fertilization; what race invented cloning?! The even better question is why did they create these?!!? Don't see it, or better yet, don't wanna see it? Let's travel back in history...

HISTORY FOR HISTORY'S SAKE
When the founding pirates, I mean, "fatherz" arrived in North America, it was already populated; it just wasn't by them! Dark-melanated beingz that look just like the dark-skinned hedz on the continent of Afrika were here well before the erroneously called "Indianz" or "Native-Americanz"! [The earliest chiefs of many tribes would've been thought to be Afrikan because they looked like Afrikanz, but can't be called that because they were in North America, not Afrika. Additional proof of an early "Afrikan" presence are the countless ruinz that have "Afrikan" features like the Olmec Headz found in Mexico as well as pyramid structures and underground passages said to be found in the state of Indiana (look up Ancient America magazine). This bringz into question where did the first inhabitants of this planet originate from and that's a whole 'nutha piece that will be addressed at a later date—(hint) look up Pangaea].

The first europeanz in the "New world", were the different one's, not the hedz who were already here! And what did they do? Did they try to adopt and learn the customz of the original inhabitants? Yes and no. It's just like you havin' someone come from another state or country and stay in your house and they bring with them their home habits, not even considerate enough to learn the wayz of your household first before basically "housin'" your house!

This is what YT did then, and what they do now; alwayz have, and likely — if we use history as our measuring stick — will continue to do! Ask yourselves, how is it the United States military have bases nearly all over the world but there are no foreign bases within the United States that are from Iran, Afghanistan, South Korea, the Ukraine, not even Mexico or Canada! Y IZ Dat?! What race decided to split the continents up into territories and borderz, makin' it so you have to have citizenship and passports to enter and leave places on this place we all live on called Earth?! I mean, ain't we all Earthlingz before anything else?!!? Let that jewel marinate for a lil' bit...

Need more examples? Look at chronic disease's sudden rise in China. The culprit? How 'bout all those McDonalds' outlets that sprung up — and I'm not even counting the increase of softdrinks (Coca-Cola, Pepsi, etc. which also usher in the worldz most addictive substance, refined sucrose aka white sugar - watch two Video Articles on White Sugar on DGTv) [SIDEBAR: why is it called 'soft'drinks when the amount of sugar in soda can eat away your teeth?! Another jewel... marinate on that a bit as well...].

Or how 'bout the guerilla warfare tactic of sendin' christian missionaries, who for yearz, have gone (and still go) into Afrika, converting Afrikanz — who created spiritual systemz millenniumz older than christianity — to this faith that was mandated to the world [thanx to Constantine the (not so) Great], that convinces hedz they're born in sin. Ever heard the short parable, "when the christianz came into Afrika, we (Afrikanz) had the land and they had the Bible. They convinced us to close our eyes and pray to their God. When we opened our eyes, they had the land and we had the Bible!" Yes. That's another jewel... take your time with this one!

Not good enough? How about the western hospital and pharmaceutical syndicate that went into this same area and tricked the inhabitants into believing their natural herb-using doctorz were witch doctorz and that they (YT) had better drugz, which didn't cure you, it just masked the pain (which usually brought on additional ailments); all this in efforts to control the mind, body and spirit (belief system) of whom they refer to as 'Third World' people.

Peep the tricknology, picture a witch doctor... now picture a doctor. What are the first images of each that come to mind? The witch doctor is some savage with a bone through his nose dawnin' a necklace full of teeth screamin' in a language you could swear was a cousin of the caveman; whereas the doctor in over 90% of hedz mind is a white man in a clean, pure, "white" coat. Echoing Rev. Wright, "we're not deficient, just different!"

This piece isn't to bash religious believerz. On the contrary, this is to show the genesis of who actually sees difference as deficient versus who's been convinced they're deficient, not different, and because of this, fights to be accepted by someone who hasn't proven capable of even accepting themselves!

The work of the co-conspiratorz of global white supremacy have kept the world blind for some time now. Today, we are witnessing the erosion of that pact, for as they say, nothin' lasts forever. But this device called global white supremacy won't just roll over and die. As the discussion of race, the imbalance of historical perspective and impending future dawnz upon the next generation, these culprits are workin' overtime to hold on to the benefits of their misdeedz as long as possibility will allow it. They are determined to be divisive; with them bein' on top of the food chain with a healthy gap between the next, of course.

The fact is, there is no difference in deficient or divisiveness; they actually go hand-in-hand. When we look at white-folk, we see whenever they're in a situation they're not in control of, or can't comprehend, it makes them feel deficient, so their instinctive plan of retaliation (although retaliation isn't even needed) is divisiveness. See, to them, anything non-white is a threat; as if blending or merging harmoniously with other ethnicities would literally 'whiteout' their existence (sorta like how the color white is fundamentally an inferior color to all the other colorz of the rainbow. Just blend it with any color and white becomes almost absent. Use a dark hue like black or brown, and it's totally engulfed — oh, they've studied this as well! They call it 'Eugenics'). I even dare call it a defense mechanizm. And why would they be so defensive? Because of all the ill deedz they've done to people the world over. They know karma could be right around the corner!

With that theory bein' said, they still refuse to practice humility and continue on with their wayz creating hierarchies, classes, deciding what (who) is of value and what (who) is not; all this, because they cannot handle not bein' in the driverz seat at all tymz. It's not until they are confronted that they show a sliver of shame.

I'll give you a personal example. The very next day after Rev. Wrights speech, I'm gettin' dressed one afternoon after workin' out at a gym in New York City. My attire was business casual, wearing a button-down shirt with brown pants and brown shoes. This older white guy chooses a locker across from mine and beginz to laugh under his breath. I paid him no mind. I guess my ignoring him gave him some courage as he uttered to me laughin', "You know what would be funny?... If you was a lawyer! With your (dred)locks and all; you'd be a rasta lawyer!" Because I wasn't wearing jeanz saggin' past my ass and a backward baseball cap, I was a (corporate) threat to him.

He's laughin' waitin' for me to laugh with him. Now, in any other situation, I'd go Dave Chappelle on his ass, but I'd be seen as the one in the wrong. In addition, he probably didn't even realize there was nothin' funny about what he just said. I paused, thinking before I spoke... turned around, lookin' him square in the eyes and replied, "you shouldn't be so afraid; but then again, I understand why you would be..." His smile turned to a look of embarrassment, as his eyes searched for his jaw that was on the ground. He mumbled under his breath, "I guess that wasn't so funny. I'm glad you said that," as if he wanted me to see his acknowledged foolishness. Trust, I wanted to say (and do) more! But what I said was enough to change his vybe. And it made me think of Rev. Wright's speech.

Am I sympathetic to white folks 'cause they can't handle hedz that are 'different'? At tymz, on an individualistic level like this encounter, yes; but when I look at this and see this is a microcozm of a macrocozmic and historical way of thinking white folk have had for everyone non-white, the answer is no, not at all...

Maybe now we can realize there's the urgent need to change our focus from acceptance to defining ourselves, first and be understood by otherz, second; for the other way around continues to empower the very oppressor we're tryin' to defeat.

About the author: http://daghettotymz.com/lecture/lecture.html
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Friday, July 16, 2010

Kim Fields' Facts of Life




As an actress, Kim Fields spent most of her formative years in front of the camera. Now, she's spending a lot of time on the other side of the lens.

The 41-year-old showbiz vet, wife to actor Christopher Morgan, and mother to son Sebastian, 3, has been busy directing episodes of Tyler Perry's hit sitcoms "Meet the Browns" and "House of Payne," offering advice to aspiring filmmakers as a panelist at this summer's "Lens on Talent: Get Focused" film symposium, and being a guest on the upcoming season of BET's "Lens on Talent: A Johnson & Johnson Filmmaker’s Challenge," which premieres September 12. Fields sat down with Parade.com to talk about her child-star past, the underwhelming feat of turning 40, what it's like to work with Tyler Perry, and why she has (almost) no regrets from her "Facts of Life" days.

Getting the acting bug at an early age

"I was never pushed into the industry. I was a very shy child. I was not one to perform for friends and family at every get-together. When my mom started going to acting classes out here in New York, we couldn't afford a babysitter. And so she took me to the acting classes just because, well, what else was she going to do with me? And there were other kids there whose parents couldn't afford sitters either. We would keep ourselves entertained by imitating what we saw them doing, and that kind of birthed acting classes for the younger kids. In that crop was Danielle Spencer, who played Dee on 'What's Happening.' Her father was a ridiculously tremendous actor named Tim Pelt, who we lost some time ago in a horrible car crash."

A childhood beyond acting

"I always felt that I had a childhood. I went to regular school whenever I wasn't working. At one point, I wanted to be a marine biologist."

Being a part of "The Facts of Life," the pop-culture phenomenon

"It still, to this day, blows my mind. When you're in it, you don't think about that at all. I mean, my goodness, we were almost canceled once, and the critics and the media never regarded 'The Facts of Life' as any sort of great critical success or an acclaimed show. And we were too big to be a cult-followed show. We still had nine years. Nine years of your life from age 9 to 18; you can't fathom a more-crucial piece of your own time."

More to Kim than just the "Facts"

"'Facts of Life' was and continues to be a milestone on my journey. But when people act like the journey ended when 'Facts of Life' ended, that's annoying. I could never and would never want to divorce myself from it because it was such a great experience from so many different facets. I got a tremendous education — my literal education from schooling but also the education from the on-the-job training. The fantastic group of people that I've worked with as cast members and crewmembers — we continue to be good friends. I love showing up to a set, and there's a camera guy I worked with as a child, and now we're equals. It's just fantastic to me."

Understanding that the public grew up with her

"I recognize the unknowing, involuntary effect that 'Facts of Life' had and continues to have on several generations of people. When I walk into a store and the cashier can't focus at all because she says, quite frankly, 'Can I have a hug?' Sure. I mean, there's a part of me that wants to say, 'You know I'm a stranger, right? If you ask the next person that they'll report you.' So there are certain elements of not just 'Facts of Life' but my own career that I realize audiences have taken ownership of. And it can be a glorious blessing and sometimes a little odd all these years later. But I certainly wouldn't have it any other way."

Being the only African-American actor in a predominantly white cast

"I didn't feel alone or singled out because, No. 1, I was a kid. Those thoughts don't really register. It's not like being in a classroom, and no one wants to play with you; it wasn't like that at all, and as a kid, there's only so much that you can comprehend. So much is in hindsight. At the time, you don't realize any of this. You're just showing up to work. You're just going to school. And then, years later, it becomes, like, 'Is that me when they're talking about "the only" or "the first" or "the pioneer" or "groundbreaker"?' I'm like, 'Really? I was just an actor.'"

Having (almost) no misgivings about her "Facts" days

"People say, 'If you had to do it again, would you stay nine years?' Sure. 'If you had to do it again, would you change the character name?' Well, maybe. No one wants to walk around in their 40s and still be called 'Tootie.'"

Regrets about the roller skates

"No. They got me the gig!" [Laughs.]

Going to college after "Facts" ended

"I can't say it was a break; it was a change in my schedule. I didn't do what one of my heroes, Jodie Foster, did, who just said, 'I'm taking a break from the industry, and I'm going to Yale.' For me, because I was in Malibu, California, (at Pepperdine University) I was still working. I wasn't on a series and reporting to a set every day, but I would do a Dick Clark special here and there, as a host. I did a talk show on campus that I created and produced and had Blair Underwood and Betty White and Sugar Ray Leonard and Jason Bateman (as guests). I was a film and TV production and broadcast journalism double major. I was still always around it."

Taking on another female ensemble show, "Living Single"

"I was surprised that I did another predominantly female ensemble show. I was surprised that I did another series where (my character) did not have (her) own place to live. I was a roommate yet again. It's not in any way a complaint; it's just another one of those ironic observations. Aside from that, I loved doing 'Living Single.' I adored the cast."

The real reason she said yes to a cameo on "The Comeback"

"I'd already met with (Lisa Kudrow) and her producing partner — I think it was the season before for a show that she was a producer on — and we kind of clicked. So the following season, when 'The Comeback' happened, (Kudrow and Michael Patrick King) reached out to me. The idea of working with (King) and Lisa Kudrow on something was just a lot of fun. Yes, in all absolute honesty, there was a part of me that thought, 'Hey, if they ever do anything with "Sex and the City," maybe I can be the black girl in it. [Laughs.] Yeah, we saw how that worked out."

Working with Tyler Perry on "Meet the Browns" and "House of Payne"

"I've known Tyler for a very long time, from the theater days. And he's always been very, very kind in saying how much he supported my work or my mother's work as actresses over the years, as he was growing up. Once everything took off for him TV-wise, he just wasn't able to do everything that he was doing as director, as head of the studio, as a fellow actor, as a writer, etc. So they started reaching out and saying, 'Hey, who can we get?' I was one of the first directors that they brought in to shadow Tyler. He's been incredibly gracious and supportive of the work that I'm doing there."

Losing her dreadlocks

"Last year, when I was about to turn 40, I had this notion in my head of, OK, here comes a new decade of my life, a new chapter, and wanting to have a new look or energy. I'd had my locks for 11 years. I thought maybe it was time to do something different. I had just finished doing this one-woman show that I produced and written and directed, and so I was kind of feeling good about where I was as an actor. And I thought, 'You know, let's cut my hair'"

Turning the big 4-0

"There's a lot of hype around 'Life begins at 40. 40 is the new 20.' Like, as soon as that magic birthday hits, Willy Wonka turns over the factory to you and your whole life and world change but, at least for me, not so much. I didn't know what I was doing. I knew what I was doing as a mom, as a wife, as a director in my career, but as Kim, I felt completely clueless. Just now, turning 41 a couple of weeks ago, slowly things are starting to click."

Keeping it all on track

"First of all, we're a praying family. You just can't run willy-nilly in this industry. For me, before I was even a mom or a wife or anything, I was a praying person. I was always very clear that my faith sustained me and helped me keep a modicum of sanity. I couldn't even fathom being in life — let alone this life in the entertainment industry — without God. The entertainment industry has its own perils and ups and downs, like any industry. But in just life itself, I couldn't and wouldn't want to be without God. And I've tried to be in this life without God: no thanks."

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