Thursday, August 22, 2013

How True is the Butler - Aisha Harris

How True Is The Butler?

The Butler
Eugene Allen and Forest Whitaker in The ButlerPhoto illustration by Slate. Photos by Kevin Clark/The Washington Post and courtesy The Weinstein Co.

A few days after Barack Obama was elected president in 2008, the Washington Post published an article about a black butler who served in the White House for 34 years, under eight presidents, from Truman to Reagan. Eugene Allen represented, as journalist Wil Haygood wrote, “a story from the back pages of history. A figure in the tiniest of print. The man in the kitchen.”
 
“He was there,” Haygood continued, “while America’s racial history was being remade: Brown v. Board of Education, the Little Rock school crisis, the 1963 March on Washington, the cities burning, the civil rights bills, the assassinations.” Allen undoubtedly lived a fascinating life, meeting countless historical figures during especially polarizing times, and it’s unsurprising that Haygood’s profile caught the eye of Hollywood. It is now the basis for Lee Daniels’ The Butler (the director’s name is included thanks to silly copyright claims made by Warner Bros).
 
But as interesting as Haygood’s profile is, “A Butler Well Served by This Election” doesn’t provide that many details about Allen’s time in the White House outside a handful of facts and humorous anecdotes. (Allen’s wife Helene referred affectionately to former First Lady Rosalynn Carter as “country,” for instance.) The Butler is a bit more than 2 hours long, spans several decades, and includes multiple storylines. It’s fair to say it has epic ambitions.
 
So how much of Allen’s real-life experience actually made it into the film?
 
Not much. According to Daniels’ foreword in The Butler: A Witness to History, a book by Haygood published to accompany the film, the movie “is set against historical events,” but “the title character and his family are fictionalized.” The skeleton of Allen’s story is there: the childhood on a plantation in the early 1920s, the interactions with several presidents. But the names have been changed: Allen and his wife, Helene, are called Cecil and Gloria Gaines. (They’re played by Forest Whitaker and Oprah Winfrey.) At least one key character, Cecil’s son Louis (David Oyelowo), is entirely made up.
The following breakdown is based on Haygood’s profile and the accompanying book. (I have emailed Haygood and will update the post if he provides additional information.)
Spoilers follow.

The butler’s backstory

The film opens with young Cecil in Macon, Georgia, in the 1920s, working in a cotton field alongside his father. His mother (Mariah Carey) is raped by a white plantation overseer, Thomas Westfall (Alex Pettyfer), loud enough for everyone to hear. When Westfall returns, Cecil’s father shows his anger, and Westfall shoots him dead in front of Cecil and the other plantation workers. The plantation matriarch (Vanessa Redgrave) then decides that Cecil should leave the fields to become a “house nigger” and learn to serve her family.
 
Those appear to be the inventions of screenplay writer Danny Strong; they are never mentioned in Haygood’s piece.* Eugene Allen was born in 1919, and, like Cecil, he grew up on a plantation (in Virginia, not Georgia). He, too, became a “house boy” for a white family. When he spoke to Haygood about his childhood, “There was nary a hint of bitterness in his voice about his upbringing.” Allen left the plantation in hopes of finding better work, as Cecil does—but unlike his fictional counterpart, he never broke into a hotel restaurant to steal food. (He did, however, land a job at a Virginia hotel as a waiter, as Cecil ultimately does in North Carolina.)
 
How the butler got his job at the White HouseAllen learned of a job at a country club in Washington, D.C., a fact that aligns with Cecil’s move to the nation’s capital. But their entries to the White House differ considerably: Allen learned via word of mouth that Alonzo Fields, a black maître d’ at the White House, was looking for pantry workers, and he went to talk to him. He began working there in 1952, during the Truman administration, but didn’t get promoted to butler until several years later. In the movie, the White House calls Gaines after a white senior staffer witnesses Cecil in action at the D.C. hotel—a point Cecil, in voiceover, emphasizes proudly.
 
Cecil is hired as butler just as soon as black maître d’ Freddie Fallows (Colman Domingo) confirms that he is not actively political and is experienced in his field. He begins working in the White House under Eisenhower’s administration, in 1957.
 
Other moments from the film appear to be true: Allen witnessed presidents mulling over important historical decisions, including Eisenhower’s fight with Arkansas governor Orval Faubus regarding the desegregation of Little Rock. And his wife Helene did pass away just prior to Obama’s election (though it was the Sunday night prior, not the morning of, as the film implies).
 
The butler’s familyAllen had one son, Charles, who served in Vietnam, just as Cecil’s younger son (also named Charles) does. Allen’s son survived the war, while his fictional counterpart does not. The real-life Charles is still alive, and has seen and approved of the new movie, according to Haygood.
 
The invented older son, Louis, serves as the main source of conflict in the narrative of Cecil’s life, in an attempt to highlight the clash between the older and younger black generation. Louis, who’s ashamed that his father is content with serving white people, is himself present for several important historical moments, including the attack and burning of a Freedom Riders bus in 1961; he’s also imprisoned in the same jail as Martin Luther King, Jr. after a protest.
 
Gloria Gaines, the butler’s wife, has an affair with a neighbor (Terrence Howard) and struggles with alcoholism. These storlines appear to be fictional.
 
The butler and the Reagans
Judging from Haygood’s interview, it seems that Allen, like Cecil, was grateful to have his job at the White House, and wary of involving himself in the politics of the time—even in his old age, he is not quoted saying anything disparaging about the presidents he worked under. In the movie, Cecil asks for equal pay among the black and white service staff, who each perform the same level of duties. His request is denied, and he accepts this. Years later, he again asks for a raise, and when he is turned down a second time, he tells his supervisor that he spoke to President Reagan personally, and that Reagan insists on the raise himself. Allen did receive a promotion to maître d’ in 1980, but there’s no indication that he ever asked for a raise.*
 
Cecil’s character arc is complete when Nancy Reagan invites him to the state dinner as a guest—the first black butler to receive such an invitation in the history of the White House. This did, in fact, happen to Allen, but the cinematic version unfolds quite differently. Here’s how it’s described in Haygood’s profile:
“Had champagne that night,” the butler’s wife would remember all these years later. As she said it, Eugene, rocking in his chair, just grinned: for so many years he had stocked champagne in the White House.
  
In the film, on the other hand, Cecil’s discomfort at sitting among the white elite is made clear through voiceover, as he describes feeling like an outsider and a traitor to his black colleagues who are now serving him. He can now see first-hand how each server “performs” for guests, and recognizes that he’s been unknowingly wearing the same mask for years. This moment, along with Cecil overhearing Reagan’s promise to veto the sanctions against apartheid-ridden South Africa, prompts the butler to hand in his resignation. Haygood’s article only mentions that Eugene “left the White House in 1986” and received a “sweet note” from the president and a “tight” hug from First Lady Nancy.

The butler and Obama
The film ends with Cecil returning to the White House to meet President Obama. I can't tell if Allen ever actually met the president, but he did get a VIP invitation to the inauguration in 2009, and was in attendance on that historical day. When he passed away in 2010, the president sent a letter to his family acknowledging his years in service and “abiding patriotism.”
 
Correction, Aug. 15, 2013: This post originally misstated that Lee Daniels co-wrote the script with Danny Strong. While Daniels had some input as to the script, Strong is credited as the sole writer. Due to a publication error in The Butler: A Witness to History, this post also originally misstated that Allen received a promotion under the Reagan administration.

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Tuesday, August 13, 2013

(Video) Not only that - More of the Dr. Martin Luther King we somehow miss....


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Friday, August 2, 2013

Tom Cruise was Black (The Original “Top Guns” Were Black Fighter Pilots) - Bozeman Development Group

As we pull back the curtains on the hidden history of African American accomplishments, I’d like to mention a couple of facts that dispel the fictional allegations that plagued African American military personnel for too long.  The allegation was that they were incompetent.
In 1897, a surprising proposal was initiated in the higher echelons of the U.S. Army. It was proposed, on numerous occasions, that the cadets of West Point Military Academy, the elite future leaders of the U.S. military, should learn their riding skills and mounted battle tactics from the soldiers who were considered the best fighting horsemen in the Army. Although the proposals were initially denied, finally, on March 23, 1907, one-hundred African American non-commissioned officers were assigned as a special detachment from the all-Black 9th Cavalry (Buffalo Soldiers) to provide riding instruction, mounted drill and tactics at West Point Military Academy. For the next 40-years the West Point cadets received their cavalry training from African Americans, the best fighting horsemen U.S. Army, from 1907 until 1947.
In 1986, millions of moviegoers were thrilled by the drama, acrobatics and intense battle scenes of the movie Top Gun starring Tom Cruise and Val Kilmer. Top Gun was a special program and competitive event for the best fighter pilots in the U.S. Navy. Following the release of that movie, lots of boys across the country dreamed of being a Top Gun fighter pilot.
What was not revealed in that film was that the Top Gun program actually originated in the U.S. Air Force and that the original Top Gun pilots were Black men from the famous Tuskegee Airmen, 332nd Fighter Squadron.
The military’s first “Top Gun” gunnery meet originated in 1949 and was established by United States Air Force. At this point, the Air Force was only two years old. It had previously been the U.S. Army Air Corps before Congress determined that it should be a separate organization from the Army. What is also virtually unknown is that a team of Tuskegee Airmen, Captain Alva Temple, 1st Lieutenant Harry Stewart, 1st Lieutenant James H Harvey III and alternate pilot Halbert Alexander competed in the event with their P-47N Thunderbolts. They not only competed, they went on to win the USAF very “First Top Gun” Weapons Meet (also known as “William Tell” and “Gunsmoke”) in May of 1949. The event was held at the Las Vegas Air Force Base, which later became Nellis AFB.
As it has happened too often in American history, their triumph was not publically acknowledged. Actually, the trophy for which they qualified was “lost” for many years and was finally unearthed after years of searching by renown historical researcher, Zellie Rainey Orr, nearly 50 years later. The team of the 332nd Fighter Squadron was officially acknowledged as the winners of that 1949 competition and finally awarded their trophy by the U.S. Air Force in 1995.
It’s not surprising that their victory was swept under the rug for a half-century. News like that would have been too much of a psychological shakeup for the white population at that time. Their view of the “Negro” was so skewed that they wouldn’t have been able to handle it. For example, there were several so-called studies done in the military to determine the suitability of allowing African Americans into the military.
According to the studies by the Army War College, Negro Soldiers were “Child Like”, “Careless”, “Shiftless”, “Irresponsible”, “Secretive”, “Superstitious”, “Unmoral and Untruthful” and more than likely to be guilty of “Moral turpitude”. The Negro Soldier was also branded as “A Comic”, “Emotionally Unstable”, “Musically Inclined With Good Rhythm” and “If Fed, Loyal and Compliant”.
On his website (http://www.tuskegeetopgun-jharvey.com/attitude.php), Lt. Col James H. Harvey III, who was one of the pilots on the winning Top Gun team, shares his experiences and the motivation behind the attitude of the Tuskegee Airmen. He states,
“Since every White Commander had a copy of this report this is how he perceived us. Plus, he had a few unfounded ideas of his own. Keep what I just said in mind. During the early forties the “wash out or failure rate” for White Aviation Cadets going through Flight Training was running at 63%. The “wash-out or failure rate” for the first Cadet class at Tuskegee was 40%. They said, ‘There is something wrong with this equation’, so they made sure the wash-out rate at Tuskegee was 70% or higher. We were washed out for anything, it did not have anything to do with our flying. Our Flight Training was different than the White Cadets. Everything we did had to be perfect. So when we graduated, we were better than our Instructors. Colonel Noel Parrish, our Commander at Tuskegee Army Air Field would go to the White Flying School at Montgomery, Alabama and tell the Commander there that, “We wash out better pilots at Tuskegee than you graduate here at Montgomery”, which was true. Colonel Parrish was a White Military man from Kentucky, but he was behind this program at Tuskegee 100%. This “Tuskegee Experiment” or “Tuskegee Experience” as it was called, was designed to fail. Yes, the whole program was designed to fail. We were out to prove them wrong. We were not just learning to fly for ourselves, we were out to prove that we, as a Race of People can do anything they can do, but only do it ‘Better’.”
When the United States Air Force held it’s “First Ever” Weapons Meet (also known as William Tell) in May 1949, the members of the 332nd Fighter Group (Tuskegee Airmen) organized a team for the competition. The primary members of the team were, Captain Alva Temple, 1st Lieutenant James H Harvey III, 1st Lieutenant Harry Stewart and alternate pilot 1st Lieutenant Halbert Alexander. They met with their commanding officer, Colonel Benjamin Davis, prior to their departure from Lockbourne Air Force Base for the Las Vegas event. His final comment to the team was, “If you don’t Win, Don’t come back” (tongue in cheek). That was their incentive to win the Meet and they came back with the win, even though it would take 50-years for the world to hear about it.
https://bozemandev.wordpress.com/2013/07/23/the-original-top-guns-were-african-american-fighter-pilots/
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